The woke reboot that proves even 1,000 years in the future, Hollywood still can’t imagine a galaxy without fat lesbians, autistic sidekicks, and white girl-bosses lecturing about feelings.
The woke reboot that proves even 1,000 years in the future, Hollywood still can’t imagine a galaxy without fat lesbians, autistic sidekicks, and white girl-bosses lecturing about feelings.
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The show that boldly goes where every other far-left series has gone before—straight into the dumpster, with an audience score so low it needs its own trigger warning.
The series where Star Trek finally achieves full DEI compliance: a perfect pie-chart classroom of pronoun diversity, zero plot, and dialogue that sounds like Reddit fanfiction written by a bargain-bin AI.
The woke Star Trek spin-off so adolescent it makes Dawson’s Creek look like Shakespeare, proving low-IQ Hollywood believes its ideology will be celebrated in the year 3190.
Paramount’s brave attempt to force-feed woke propaganda to a public that already changed the channel years ago—resulting in 1,300 live YouTube viewers and a funeral for the franchise.
The series that proves woke entertainment is dead: nobody watches, nobody buys, but Hollywood keeps releasing it anyway because ego and ideology trump talent and imagination.
The 32nd-century academy where the real mission is to make sure every student has the correct identity markers, while plot and logic are treated as hate crimes.
The show that turned Starfleet into a feelings seminar with gay Klingons and obese cadets, because nothing says “infinite diversity in infinite combinations” like mandatory Ozempic denial.